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Decisions, open questions and evidence

PROPOSAL FOR REVIEW · 13 October 2026

Recorded direction and recommendations​

DecisionStatusConsequence
Anyone with an account can upload audioFounder instruction, 13 OctoberSelf-service upload and publishing; no artist partnership, curated admission or payout-wallet prerequisite
One shared source-conditioned music modelFounder instruction, 13 OctoberNo per-artist model, adapter, training dataset or fine-tuning workstream
Existing Aptos smart contracts handle paymentFounder-supplied dependencyVerify exact ABI/deployment and accounting support before implementation claims
Frontend + backend + S3Requested architectureAdd queue/worker, metadata database, rights gate and delivery layer to make it operable
Modular Rust backend; Python audio worker; TypeScript frontendRecommendation consistent with current London language boundaryKeep orchestration cohesive and isolate audio compute
S3 and CloudFront first deliveryProposed scope changeManaged pilot delivery; does not satisfy independent-node/cache-transfer acceptance
ACE-Step 1.5 primary shared music modelFounder selection, 13 OctoberImplement ACE-Step first; exact checkpoint, settings and deployment readiness remain evaluation gates
Asynchronous stored audio, explicit playbackRecommendation informed by prototypeHonest progress, retries and mobile behaviour; no promised real-time neural effects
Voice/text only for transformationCurrent prototype interaction directionPreserve simple input; technical controls remain internal
Original/variation 90%/70% rights pools and optional £10 capOctober public proposal, not confirmed tariffContract/commercial review required; creator credit is not royalty entitlement

Decisions that must be closed​

QuestionProposed defaultBlocks
Which edit capabilities launch?Precise edits, supplied-stem removal and one generative mood/section edit that passes evaluationModel/capability selection
Whole songs or previews first?30-second private preview, then explicitly requested full rendition; four-minute starting ceilingUX, worker sizing and pricing
How is generation funded?Bounded pilot allowance with tracked cost; choose paid quota/price before public billingUnit economics and public access
How do listeners pay?Select one route: direct USDC or GBP provider with treasury conversionBudget funding, refunds and reconciliation
How is original listening funded after the cap?Explicit bounded subsidy or agreed free-access ruleCap behaviour and real-money rollout
What may be changed and shared?Uploader-selected per-track permissions and declaration; flagged cases reviewedTransformation and publishing
Which upload formats/quotas launch?MP3/WAV/FLAC/AAC/Ogg; proposed 500 MB/file and 60-minute source limit; account storage/ingestion limits to approveUpload capacity and abuse controls
How are disputed uploads handled?Reporting, auditable holds/takedown/appeals and payout holds; no manual approval of ordinary tracksPublic rollout operations
Which ACE-Step checkpoint and deployment configuration?Compare base/SFT/Turbo on required edits; self-host behind the adapter and pin a successful versionProduction generation
What counts as paid listening?Review bounded server-validated duration and tariff rules against MoveUsage evidence and allocation
Can the supplied ABI express October rules and reservations?Compatibility report before any contract modificationsAccounting integration estimate
Are independent artist/operator nodes part of this release?Managed S3/CDN delivery for this proposalReconciliation with the approved older London pilot
How long are drafts, evidence and provider inputs retained?Short microphone retention; separately approved media/finance schedulesProduction privacy and storage policy
Who reviews audio, rights and payment security?Named reviewers before pilot, with distinct acceptance recordsRelease sign-off

Conflicting source scopes​

The founder's ACE-Step selection supersedes the earlier Stable Audio-first benchmark recommendation in this proposal. Stable Audio and Eleven Music remain documented alternatives; neither is a simultaneous production dependency. ACE-Step family selection is a product/implementation decision, not a completed benchmark.

The founder's later open-upload instruction replaces this plan's original small manually licensed catalogue as the product admission model. Anyone with an account can upload and publish eligible audio. A permission-cleared sample set remains necessary for model testing, and individual upload declarations remain distinct from verified monetization rights. Public website/deck copy and the older curated London pilot have not been revised by this change.

The website and private October deck describe bespoke artist models. The founder's later instruction in this architecture task removes that implementation requirement. This plan records that change without silently revising the website or investor deck.

The canonical whitepaper and PIPs describe earlier subscription, PRT, Porto Chain and operator-pool concepts. The current October website instead proposes metered listening, variation sharing, 10%/30% Porto fees and Aptos/USDC settlement. These are distinct source scopes; this proposal does not amend the canonical protocol or turn public commercial percentages into implemented contract behaviour.

The current London Move chapter and overview supersede the earlier RocksDB/hash-only accounting direction. Some earlier London chapters still describe that preceding model. Use the current Move chapter for accounting boundaries and complete the coordinated specification review before implementation.

Independent node operation and real cache transfer are requirements of the older approved London pilot. A managed S3/CDN product alpha proves different capabilities. Decide whether the new product pilot replaces that delivery experiment or runs alongside it; do not claim both with one managed-hosting deployment.

Source register and research limits​

EvidenceUse and boundary
Porto homepage and homepage sourceDirect local source review of October product copy, fees, cap and settlement target; concept disclosures remain applicable
Prototype README and architectureCurrent interaction and implementation boundaries; fictional accounts, browser effects and simulated finances
Porto-Deck October.pdf, 15 slides, reviewed 13 OctoberInternal deck reference for streaming, commands, creator sharing and Ledger; not published here and not protocol or runtime evidence
Whitepaper and PIPsCanonical historical/product and normative protocol sources; conflicts are explicitly scoped above
London overview and Move accounting chapterCurrent accounting authority and evidence gates; approved docs do not prove deployed code
Released Porto style guide and current design guidanceInterface tokens, accessible player controls and voice/text interaction; this work does not release a new design system
Stable Audio 3 repository, model card and releaseDocumented inference modes and deployment/licence distinctions; exact weight licence governs, separately from MIT inference code
ACE-Step 1.5Checkpoint-specific editing features, not a Porto quality benchmark
ElevenLabs inpainting and reference admissionHosted editing alternative with input limits and admission screening
Demucs and FFmpegSeparation baseline/limitations and precise processing primitives; pinned build and dependency review required
CloudFront private access, signed grants and SQSDelivery access and queue semantics, not proof of Porto deployment
Aptos paymentsCommitted success and transaction finality; exact Porto ABI remains uninspected
Deepgram streaming and structured outputSpeech and constrained planning capabilities; no selected account/provider contract or runtime test

External sources were checked on 13 October 2026. Capabilities, account access, pricing and licences can change, so recheck the pinned deployment before procurement. No credentials, original catalogue, contract implementation or real funds were used in this research. All duration, staffing, capacity, cost examples and performance thresholds are explicitly proposed until measured.

This document is review material. Publishing it does not authorize Mainnet launch, claim secured catalogue rights, guarantee instrument removal or establish earned royalties.